Blood, Death, Satan & Metal

  Praise the D30, cyclopean chthonic orb, grandest of the dice. Accept this offering of rituals, and blessed be thy rolls. This table has weird summer-flavored customs, celebrations and rituals for pagans or cultures with remnants of ancient beliefs.  Results are in order of escalating weirdness. Depending on what you want, use the following: d10 for fairly mundane/realistic results d20 for weird resultsd 30 for trauma, fear and sacrifice Should you enjoy this table, I have others... Rituals of Spring Rituals of Autumn   Rituals of Winter d30 Ritual 1 Wildflowers are planted into thatched roofs 2 The able-bodied embark on a hunt for the greatest beast. The victor  receives tribute from the village until the next summer when the hunt  begins again. 3 Young folk wrestle livestock. Victors claim the animals as their own. 4 Children lead prisoners in dances. Those who follow the child’s  instructions satisfactorily are freed. 5 Boasting competitions are held. If contest

Tales of the Scarecrow is a short horror-themed adventure that is compatible with OSR games. It’s location based, and makes for a very solid “bottle episode” type of one-shot. Characters will find themselves in a small farmhouse, trapped inside a cornfield which holds a terrifying scarecrow and countless eldritch tentacles in a Hateful 8 meets Tremors kind of adventure. Now how can you use this thing and make it shine? Read on… 1. Take notes: While this adventure is brief and clear in its writing, it is not laid out in the typical A-B-C style making it somewhat difficult to find information by its physical location. Having the info sorted in this manner will help at the table. The At-A-Glance Referee aids give a quick visual overview of the external features of the farm and a table with a brief summary of the appearance and contents of the interior locations. This information is not intended to replace the text of the adventure, but page references are included to help find more in-d

Date: November 5, 1640   Location: London   Main Cast: Shio the Acid-Burnout Alice, Gund the Amoral Magic-User, Salith the Cannibal Elf   Cast: Helga of the Ulvenbrigaad, Harold the Mule Previously: After a mostly unproductive break-in to Laud's prison chambers in the White Tower, the party kinda-sorta left Gund to solve his own damn problems. Gund dissolved the foundations of the Tower of London and legged it onto an escape gondola. Presently: Aboard the gondola, the party took off as fast as Melvin, Shio's new boyfriend, could push. Because of the large amount of lead shot flying their way, that was pretty damn fast. Laying rubber on the Thames as one might do in ye Faste & Furiousse , they hit a rough patch of water. A capricious die condemned their second donkey, Seamus, Harold's new boyfriend, to tumble into the river. Only one boyfriend thus remained. A protest was raised at the death of the innocent animal. Despite the tremendous child body-count, this was too

Date: Early fall 1640 Location: London Main Cast: Shio the Acid-Burnout Alice, Gund the Amoral Magic-User, Salith the Cannibal Elf Supporting Cast: Helga of the Ulvenbrigaad, Harold the Mule Previously: With a minimum of planning and the overconfidence that powerful magic items bring, our heroes quickly found themselves trapped in the Tower of London and Gundisalvus captured on the roof. Presently: Salith and Shio, in the prison chambers of Archbishop Laud, poke around. The twitching bodies held by massive iron bands to slabs were of surprisingly little interest to them- puzzling the Ref, but hey, these PCs been through some shit , so whatever. A chest was of somewhat more interest, and when inspected it seemed to have some kind of blurred field around it, as well as the materials being petrified and rusted. That seemed like too much trouble. The Archbishop was the objective, and they wanted to expedite things in order to maybe rescue Gund or at least escape. Salith removed the ring

It is known that I like to reduce miscellaneous rolls and mechanics to their approximate d6 equivalents. The foundation for this is the elegance of the LotFP d6 skill system , which I think is memorable, minimal, and hackable. So far, I have turned saving throws into d6 skills that can be improved by Specialists and downtime training and even a unified d6 single saving throw inspired by Swords & Wizardry . Morale is ripe for adaptation as well- even though it's determined with a 2d6 bell curve, the chances align rather similarly. It could go quite nicely with the d6 Save versus Death for Chainmail style combat , also. Not perfectly, mind you, but with a deviation of about 8% at most, which is right in the middle of the 16.66% gradations of a d6 roll. Is it a worthwhile price to pay? I think so- the more things that can be condensed into similar mechanics, the better for use at the table. And why do we really need 12 individual gradations of Morale, when the MM usually assi

When there are large quantities of combatants, especially of the same type, there's no reason to roll individual attacks and damage, and no reason to keep strict, detailed records of who's dying and who's left. Of course there's nothing wrong with fighting them normally by making a d20 roll and then rolling damage, but why do that for every combatant when there's a bunch of them? Assuming that they're facing opponents of roughly equal strength, it can be streamlined into a single roll with a little math. Redshirts with low HP, AB and damage are easy to model, so we can just make a roll for each individual or unit without tracking their HP if we calculate the chance of them dying from an attack. Thus, they get two states: "Dead" and "Not Dead" (or "Not Dead Yet"). If they fail a save, they are Dead. If they succeed, they are either Not Dead (fully alive) or Not Dead Yet (reduced strength, suffer a Morale check, or other negative

Here comes more inspiration and recommendation. This time around, it's archetypes, films so quintessentially and obviously weird that their relevancy to Weird storytelling should leave you with a gameable idea or two almost automatically. November by Rainer Sarnet This is a slow, black & white Estonian film. I'd probably characterize it as a European Kurosawa film in many ways (no samurai though). It has humor, horror and folklore all at once in a mix both incongruous and somehow elegant (think Rashomon). It's about common folk who use magic to control servant spirits called kratts made out of junk. They sell their souls to the devil to make these things, and they go mad and kill their masters every now and then anyway. What a deal. So this movie is about people trying to solve simple problems with extreme solutions. Kind of like a Weird Magic spell! Magic, demons, plagues and ghosts are just facts of life and you work with them just like you would a